Mom has been going through the basement shelves and office area, clearing things out and getting rid of what we no longer need. In the process, she came across an old book published by our homeschool association with a compilation of writings by local homeschool students. Lo and behold, there I was – in print! I have no recollection of this, but apparently I submitted a couple of my poems for this project. It’s been kind of fun to scan the collection and see other familiar names that contributed their creative efforts.
Those who submitted their poems and stories ranged in age from about seven to twelve, and I was eleven when I wrote these two poems – technically my first published work. 🙂 I’ve always enjoyed poetry and the art of rhyme. These are rather contrived, I know, but hey, you have to start somewhere!
Jesus is with Me
I once was a person just as plain as can be,
But then I met Jesus, and now I can see.
I want to listen to all His commands,
And then it will be time to take my stand.
I want Him to be with me all of my life,
Through laughter and pain, excitement and strife.
My Lord
God is my protector and my shield
Against enemies in the battlefield.
Though the enemy may cry,
No god of theirs is nigh.
Some of them may flee,
But my Lord is still with me.
In the middle of the field the enemy lay,
But I sat up to pray,
For the battle was not won by a sword,
The battle was won by the Lord!

In my
Let me give a specific illustration. One of my piano students is very expressive and loves to incorporate lots of impulsive nuances into his playing. The only problem is that the nuances distort the natural flow of the phrases and result in inaccurate rhythms. As his teacher, I visualize for him an end result of musical and artistic piano playing that will be lovely to listen to (which is also what he wants). However, I know that the elements that contribute to this include: precise execution of rhythmic values, natural ebb and flow of the phrasing, well-chosen fingering, and fluidity. So I pick one of these elements, in this case the phrasing. We work to understand the principles that govern phrasing – musical phrases tend to swell in volume as the notes rise and decrease in volume as the notes descend. Random notes should not be accented at will because this interrupts the flow of the phrase. Once this principle is understood, we reinforce it by applying it to all the musical assignments that week. Following weeks lend themselves to other areas of understanding and emphasis.
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A hot debate is going on.
There’s much drama left in the story-how Ahab was angry with Micaiah for his words of truth; how he went out to battle in spite of Micaiah’s warning, disguised as a common soldier while Jehoshaphat carried on the charade of being king of Israel; how Jehoshaphat was miraculously saved from death when he cried out to the Lord; how a Syrian bowman, drawing at random, slew Ahab, king of Israel, just as Micaiah prophesied.
When you come to think of it, the Israel of 1 Kings 22 is not so much different than the America of today. We, as Christians, are not hounded, chased, exiled, driven from our homes, and killed for our beliefs; but we are pressured, and in some cases restricted, from freely voicing what we believe. We may not face certain imprisonment like Micaiah did, yet Jehoshaphat’s appeal still rings true.
